Creative Focus & Fragile Momentum

by Libby on July 19, 2007

I really admire focused intensity in artists. I have had the privilege to spend a little time this summer with a few of the most focused polymer clay artists I know: Elise Winters, Judy Dunn, Lynne Schwarzenberg and Jana Roberts Benzon. (a pretty diverse group, isn’t it?) They’ve each got distinctive styles and are continually evolving within their style. They have incredible technical mastery, and yet I sense in each of them the desire to refine and improve what they do. In their individual ways, they are excellent examples of the power of focus.

I think it’s ironic that several of them have mentioned the experience of being approached by people asking for a quick and comprehensive description of their techniques, of exactly how they achieve their distinctive style. The implication is that it’s something simple and that they need to share it now. Techniques that may have taken years of focus to develop can’t be shared in an instant and style is hopefully a personal thing.

Sometimes when all we see of an artist’s work are online images, or even flawlessly finished pieces in real life, we forget about the effort that is behind the piece. We don’t see the design trials along the way. We don’t see the learning curve. Talented and focused artists’ work often looks deceptively simple. We don’t see the convoluted creative path that may have been traveled. I wish we could. That’s why I enjoy talking to creative people, hearing the stories behind their work, what spurs their creativity. Knowing a bit about the artist’s journey breathes life into his or her work.

At the moment, I am finding creative momentum can be a fragile thing. It seems to me that any time I have to interrupt a creative working streak for a day or two, I lose my momentum. It’s more than that. I seem to flounder and lose the desire to be in the studio at all. It’s discouraging how there seems to be an invisible force field around the studio door that keeps me away. Instead I get swept up in little busy tasks and the vortex of time that is my computer.

Alison Lee’s Craftcast refrain of “Get your butt in the chair” is playing in my head. I know she’s right. I know that if I can get myself started. I’ve got plenty of ideas , but no momentum to get me started. When I finish writing this I am going to make myself go into the studio. Even if all I accomplish is cleaning up some of the latest mess, that will be a move in the right direction. I’ll strive for creative focus when I get working again.

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{ 8 comments… read them below or add one }

1

Trina 07.19.07 at 1:57 pm

Good thoughts, Libby. I have met or taken classes from all of these artists except Judy and the learning curve continues even after more than 10 years. (We don’t even count the first three!) And it points out why the news groups are so draining.
Our guild just finished three days at the County Fair doing demos and even after you explain a cane in steps with pre-formed elements someone will say, “yes, I see, but how do you get those tiny shapes in there!”

2

Jenn Davis 07.19.07 at 2:11 pm

Hey Lady,
You’ve come a long way baby!!!! I haven’t talked to you i forever. I’m so glad I found your blog, and I LOVE your work. Unfortunately I haven’t had time to pick up pc in a long time…
Keep up the wonderful new stuff.
Jenn

3

Judy 07.19.07 at 8:55 pm

Thank you for putting me in such talented company. I am truly honored. You have had a lot of disruptions in your life in the last few years. It takes time to re-establish a rhythm to your day when you are facing so many interruptions.

Maybe you need to go in there and just say your going to make some bad stuff….with intention! It might just be fun! Sort of like the Ugly Necklace contest. Whatever you do, remember, it is supposed to be fun!

You are the best, Libby!

4

Cindy Celusta 07.19.07 at 9:43 pm

Libby, This is such a great post on creative fragility. (I think as I sit here at the computer effectively not breaching the invisible force field around my studio!) This is something I fight a lot. Good to know one is in excellent company! Thanks for sharing your thoughts and maintaining such a great PCP list! Now…to move my butt from one chair to another! :-)

5

Loretta 07.20.07 at 8:19 am

Hi Libby -
I’ve only had 2 polymer clay teachers. But Steven Ford gave me advice which has made a huge difference in solving that momentum problem. So when I can’t seem to work up the ‘whatever’ to get my butt in the chair…I mix colors. Just that. Blending colors gets me started. Now it won’t be the same for everybody, but I’ll bet there is a creative activity that will get you started. And (like exercise) you have to keep at it until the endorphins kick in. 15-20 mins should do. It’s a tricky thing - but we’re all routing for you!

6

Jana 07.21.07 at 9:06 pm

Libby….I just chanced upon the mention of my name in your blog. I’ll join Judy Dunn in saying a huge thank you for putting me in such awesome company. I am so flattered.

I know I blabbed on at Klay Karma about how your working is simply amazing me. But, let me say it again publicly…your work is simply amazing me!! bravo…and thanks again,

jana

7

Amy Crawley 07.23.07 at 3:15 pm

Hi Libby,

Great blog today. Creative momentum has been waning a bit for me too. Between the KK retreat and other travel I just feel like being a lump. I understand completely the loss of momentum when you have to leave the studio for whatever reason or length of time.

They say it takes 14 or 21 days to create a new habit. I must be on a slo-o-ow learning curve. But we just have to keep trying. Perhaps we can mentor each other (and certainly others) through the challenge of finding and keeping our creative momentum?

Thanks for sharing.

8

Christy 08.07.07 at 8:20 am

Libby,
I know exactly what you mean - I’d been hiding from the studio for about 6 months. Part of it was some health problems which I’ve been over for awhile, part of it was the fact that we’d dumped alot of stuff in there from some remodeling projects and it was too overwhelming to dig out, and I’m not really sure what the rest was…

But my husband helped me tackle the first stage of digging out my work table and I’ve been making stuff for the past few weeks and it feels great.

I also just read this book “Coaching the Artist Within” by Eric Maisel and it was really good. It helped me get enthused again.

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